悪口学校 — リチャード・ブリンズリー・シェリダン
You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title : The School for Scandal Author : Richard Brinsley Sheridan Release date : October 1, 1999 [eBook #1929] Most recently updated: April 9, 2017 Language : English Other information and formats : www.gutenberg.org/ebooks/1929 Credits : Text file produced by Gary R. Young HTML file produced by David Widger *** START OF B. SHERIDAN, ESQ. TRANSCRIBER'S COMMENTS ON THE PREPARATION OF THIS E-TEXT: SQUARE BRACKETS: The square brackets, i.e. [ ] are copied from the printed book, without change, except that a closing bracket "]" has been added to the stage directions. FOOTNOTES: For this E-Text version of the book, the footnotes have been consolidated at the end of the play. Numbering of the footnotes has been changed, and each footnote is given a unique identity in the form [X]. CHANGES TO THE TEXT: Character names have been expanded. For Example, SIR BENJAMIN was SIR BEN. CONTENTS THE TEXT OF THE SCHOOL FOR SCANDAL THE SCHOOL FOR SCANDAL PROLOGUE WRITTEN BY MR. GARRICK ACT I SCENE I.—LADY SNEERWELL'S House SCENE II.—SIR PETER'S House ACT II SCENE I.—SIR PETER and LADY TEAZLE SCENE II.—At LADY SNEERWELL'S SCENE III.—At SIR PETER'S ACT III SCENE I.—At SIR PETER'S SCENE II.—At CHARLES's House SCENE III.—CHARLES, CARELESS, etc., etc. ACT IV SCENE I.—A Picture Room in CHARLES SURFACE'S House SCENE II.—The Parlour SCENE III.—A Library ACT V SCENE I.—The Library SCENE II.—At SIR PETER'S House SCENE THE LAST.—The Library FOOTNOTES: THE TEXT OF THE SCHOOL FOR SCANDAL The text of THE SCHOOL FOR SCANDAL in this edition is taken, by Mr. Fraser Rae's generous permission, from his SHERIDAN'S PLAYS NOW PRINTED AS HE WROTE THEM. In his Prefatory Notes (xxxvii), Mr. Rae writes: "The manuscript of it [THE SCHOOL FOR SCANDAL] in Sheridan's own handwriting is preserved at Frampton Court and is now printed in this volume. This version differs in many respects from that which is generally known, and I think it is even better than that which has hitherto been read and acted. As I have endeavoured to reproduce the works of Sheridan as he wrote them, I may be told that he was a bad hand at punctuating and very bad at spelling. . . . But Sheridan's shortcomings as a speller have been exaggerated." Lest "Sheridan's shortcomings" either in spelling or in punctuation should obscure the text, I have, in this edition, inserted in brackets some explanatory suggestions. It has seemed best, also, to adopt a uniform method for indicating stage-directions and abbreviations of the names of characters. There can be no gain to the reader in reproducing, for example, Sheridan's different indications for the part of Lady Sneerwell—LADY SNEERWELL, LADY SNEER., LADY SN., and LADY S.—or his varying use of EXIT and EX., or his inconsistencies in the use of italics in the stage-directions. Since, however, Sheridan's biographers, from Moore to Fraser Rae, have shown that no authorised or correct edition of THE SCHOOL FOR SCANDAL was published in Sheridan's lifetime, there seems unusual justification for reproducing the text of the play itself with absolute fidelity to the original manuscript. Mr. Ridgway, who repeatedly sought to obtain a copy corrected by the author, according to Moore's account (LIFE OF SHERIDAN, I. p. 260), "was told by Mr. Sheridan, as an excuse for keeping it back, that he had been nineteen years endeavouring to satisfy himself with the style of The School for Scandal, but had not yet succeeded." Mr. Rae (SHERIDAN, I. p. 332) recorded his discovery of the manuscript of "two acts of The School for Scandal prepared by Sheridan for publication," and hoped, before his death, to publish this partial revision. Numberless unauthorized changes in the play have been made for histrionic purposes, from the first undated Dublin edition to that of Mr. Augustin Daly. Current texts may usually be traced, directly or indirectly, to the two-volume Murray edition of Sheridan's plays, in 1821. Some of the changes from the original manuscript, such as the blending of the parts of Miss Verjuice and Snake, are doubtless effective for reasons of dramatic economy, but many of the "cuts" are to be regretted from the reader's standpoint. The student of English drama will prefer Sheridan's own text to editorial emendations, however clever or effective for dramatic ends. THE SCHOOL FOR SCANDAL ADDRESSED TO MRS. CREWE, WITH THE COMEDY OF THE SCHOOL FOR SCANDAL Tell me, ye prim adepts in Scandal's school, Who rail by precept, and detract by rule, Lives there no character, so tried, so known, So deck'd with grace, and so unlike your own, That even you assist her fame to raise, Approve by envy, and by silence praise!— Attend!—a model shall attract your view— Daughters of calumny, I summon you! You shall decide if this a portrait prove, Or fond creation of the Muse and Love.— Attend, ye virgin critics, shrewd and sage, Ye matron censors of this childish age, Whose peering eye and wrinkled front declare A fixt antipathy to young and fair; By cunning, cautious; or by nature, cold, In maiden madness, virulently bold!— Attend! ye skilled to coin the precious tale, Creating proof, where innuendos fail! Whose practised memories, cruelly exact, Omit no circumstance, except the fact!— Attend, all ye who boast,—or old or young,— The living libel of a slanderous tongue! So shall my theme as far contrasted be, As saints by fiends, or hymns by calumny. Come, gentle Amoret (for 'neath that name, In worthier verse is sung thy beauty's fame); Come—for but thee who seeks the Muse? and while Celestial blushes check thy conscious smile, With timid grace, and hesitating eye, The perfect model, which I boast, supply:— Vain Muse! couldst thou the humblest sketch create Of her, or slig