ワイルドフェル・ホールの住人 — アン・ブロンテ
You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title : The Tenant of Wildfell Hall Author : Anne Brontë Author of introduction, etc. : Mrs. Humphry Ward Release date : July 1, 1997 [eBook #969] Most recently updated: April 24, 2021 Language : English Other information and formats : www.gutenberg.org/ebooks/969 Credits : David Price *** START OF 1920 Contents This Table of Contents contains the original chapter headings that were present in the first printed edition of 1848. These headings were removed in later (one-volume) editions of the text, after Anne Brontë’s death in 1849. I. A Discovery II. An Interview III. A Controversy IV. The Party V. The Studio VI. Progression VII. The Excursion VIII. The Present IX. A Snake in the Grass X. A Contract and a Quarrel XI. The Vicar Again XII. A Tête-à-Tête and a Discovery XIII. A Return to Duty XIV. An Assault XV. An Encounter and its Consequences XVI. The Warnings of Experience XVII. Further Warnings XVIII. The Miniature XIX. An Incident XX. Persistence XXI. Opinions XXII. Traits of Friendship XXIII. First Weeks of Matrimony XXIV. First Quarrel XXV. First Absence XXVI. The Guests XXVII. A Misdemeanour XXVIII. Parental Feelings XXIX. The Neighbour XXX. Domestic Scenes XXXI. Social Virtues XXXII. Comparisons: Information Rejected XXXIII. Two Evenings XXXIV. Concealment XXXV. Provocations XXXVI. Dual Solitude XXXVII. The Neighbour Again XXXVIII. The Injured Man XXXIX. A Scheme of Escape XL. A Misadventure XLI. “Hope Springs Eternal in the Human Breast” XLII. A Reformation XLIII. The Boundary Past XLIV. The Retreat XLV. Reconciliation XLVI. Friendly Counsels XLVII. Startling Intelligence XLVIII. Further Intelligence XLIX. L. Doubts and Disappointments LI. An Unexpected Occurrence LII. Fluctuations LIII. Conclusion LIST OF ILLUSTRATIONS Portrait of Anne Brontë Moorland Scene, Haworth Moorland scene (with water): Haworth Moorland scene (with cottage), Haworth Blake Hall—The Approach (Grassdale Manor) Blake Hall—Front (Grassdale Manor) Blake Hall—Side (Grassdale Manor) INTRODUCTION Anne Brontë serves a twofold purpose in the study of what the Brontës wrote and were. In the first place, her gentle and delicate presence, her sad, short story, her hard life and early death, enter deeply into the poetry and tragedy that have always been entwined with the memory of the Brontës, as women and as writers; in the second, the books and poems that she wrote serve as matter of comparison by which to test the greatness of her two sisters. She is the measure of their genius—like them, yet not with them. Many years after Anne’s death her brother-in-law protested against a supposed portrait of her, as giving a totally wrong impression of the “dear, gentle Anne Brontë.” “Dear” and “gentle” indeed she seems to have been through life, the youngest and prettiest of the sisters, with a delicate complexion, a slender neck, and small, pleasant features. Notwithstanding, she possessed in full the Brontë seriousness, the Brontë strength of will. When her father asked her at four years old what a little child like her wanted most, the tiny creature replied—if it were not a Brontë it would be incredible!—“Age and experience.” When the three children started their “Island Plays” together in 1827, Anne, who was then eight, chose Guernsey for her imaginary island, and peopled it with “Michael Sadler, Lord Bentinck, and Sir Henry Halford.” She and Emily were constant companions, and there is evidence that they shared a common world of fancy from very early days to mature womanhood. “The Gondal Chronicles” seem to have amused them for many years, and to have branched out into innumerable books, written in the “tiny writing” of which Mr. Clement Shorter has given us facsimiles. “I am now engaged in writing the fourth volume of Solala Vernon’s Life,” says Anne at twenty-one. And four years later Emily says, “The Gondals still flourish bright as ever. I am at present writing a work on the First War. Anne has been writing some articles on this and a book by Henry Sophona. We intend sticking firm by the rascals as long as they delight us, which I am glad to say they do at present.” That the author of “Wildfell Hall” should ever have delighted in the Gondals, should ever have written the story of Solala Vernon or Henry Sophona, is pleasant to know. Then, for her too, as for her sisters, there was a moment when the power of “making out” could turn loneliness and disappointment into riches and content. For a time at least, and before a hard and degrading experience had broken the spring of her youth, and replaced the disinterested and spontaneous pleasure that is to be got from the life and play of imagination, by a sad sense of duty, and an inexorable consciousness of moral and religious mission, Anne Brontë wrote stories for her own amusement, and loved the “rascals” she created. But already in 1841, when we first hear of the Gondals and Solala Vernon, the material for quite other books was in poor Anne’s mind. She was then teaching in the family at Thorpe Green, where Branwell joined her as tutor in 1843, and where, owing to events that are still a mystery, she seems to have passed through an ordeal that left her shattered in health and nerve, with nothing gained but those melancholy and repulsive memories that she was afterwards to embody in “Wildfell Hall.” She seems, indeed, to have been partly the victim of Branwell’s morbid imagination, the imagination of an opium-eater and a drunkard. That he was neither the conqueror nor the villain that he made his sisters believe, all the evidence that has been gathered since Mrs. Gaskell wrote goes to show. But poor Anne believed his account of himself, and no doubt saw enough evidence of vicious character