パエドラ／パイドラ／テュエステス — セネカ
You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org . If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title : The Tragedies of Seneca Author : Lucius Annaeus Seneca Author of introduction, etc. : John Matthews Manly Translator : Frank Justus Miller Release date : October 3, 2018 [eBook #57999] Language : English Other information and formats : www.gutenberg.org/ebooks/57999 Credits : E-text prepared by Ted Garvin, Eleni Christofaki, and the Online Distributed Proofreading Team *** START OF pgdp.net) Transcriber's Note. A list of the changes made can be found at the end of the book. THE TRAGEDIES OF SENECA DOUBLE HERMES OF SENECA AND SOCRATES. Now in the Old Museum at Berlin The Tragedies of Seneca TRANSLATED INTO ENGLISH VERSE, TO WHICH HAVE BEEN APPENDED COMPARATIVE ANALYSES OF THE CORRESPONDING GREEK AND ROMAN PLAYS, AND A MYTHOLOGICAL INDEX BY FRANK JUSTUS MILLER INTRODUCED BY AN ESSAY ON THE INFLUENCE OF THE TRAGEDIES OF SENECA UPON EARLY ENGLISH DRAMA BY JOHN MATTHEWS MANLY CHICAGO THE UNIVERSITY OF CHICAGO PRESS LONDON T. FISHER UNWIN, 1 ADELPHI TERRACE 1907 Copyright 1907 By The University of Chicago Published December 1907 Composed and Printed By The University of Chicago Press Chicago, Illinois, U.S.A. TO FRANK FROST ABBOTT AND EDWARD CAPPS MY FRIENDS AND COLLEAGUES THROUGH A SCORE OF YEARS PREFACE The place of the tragedies of Seneca in literature is unique. They stand as the sole surviving representatives, barring a few fragments, of an extensive Roman product in the tragic drama. They therefore serve as the only connecting link between ancient and modern tragedy. They are, moreover, modeled more or less closely after the tragedies of Aeschylus, Sophocles, and Euripides; and the Greek and Roman product in literature along parallel lines cannot be better studied than by a comparison of these Senecan plays with their Greek prototypes—a comparison which is not possible in comedy, since, unfortunately, the Greek originals of Plautus and Terence have not come down to us. These plays are of great value and interest in themselves, first, as independent dramatic literature of no small merit; and second, as an illustration of the literary characteristics of the age of Nero: the florid, rhetorical style, the long, didactic speeches, the tendency to philosophize, the frequent epigram, the pride of mythologic lore. Popular interest in the tragedies of Seneca has been growing to a considerable extent during the last generation. This has been stimulated in part by Leo's excellent text edition, and by the researches of German and English scholars into Senecan questions, more especially into the influence of Seneca upon the pre-Elizabethan drama; in part also by the fact that courses in the tragedies have been regaining their place, long lost, in college curricula. The present edition seeks still further to bring Seneca back to the notice of classical scholars, and at the same time to present to the English reader all of the values accruing from a study of these plays, with the single exception of the benefit to be derived from a reading of the original. The influence which the tragedies have had in English literature is brought out in the introduction, which Professor Manly has kindly contributed; the relation of Seneca to the Greek dramatists is shown by comparative analyses of the corresponding plays, so arranged that the reader may easily observe their resemblances and differences; the wealth of mythological material is at once displayed and made available by an index of mythological characters; finally, it is hoped that the translation itself will prove to be as faithful a reproduction of the original as is possible in a translation, and at the same time to have sufficient literary merit of its own to claim the interest of the general reader. The text used is that of Leo (Weidmann, Berlin, 1878), except in the instances noted. The line numbers as printed in the translation are identical with those of the original text. The meter employed in the spoken parts is the English blank verse, with the exception of the Medea , in which the experiment was tried, not altogether successfully, of reproducing the iambic trimeter of the original. In the lyric parts, the original meters are sometimes used; and, where these did not seem suitable in English, appropriate substitutes have been attempted. Frank Justus Miller Chicago, Ill. October 25, 1907 TABLE OF CONTENTS PAGE I. The Influence of the Tragedies of Seneca upon Early English Drama 1 II. The Tragedies of Seneca Translated Oedipus 11 Phoenissae 51 Medea 79 Hercules Furens 115 Phaedra or Hippolytus 165 Hercules Oetaeus 213 Thyestes 287 Troades 333 Agamemnon 379 Octavia, with a Review of the Roman Historical Drama 415 III. Comparative Analyses of Seneca's Tragedies and the Corresponding Greek Dramas 453 IV. Mythological Index 497 INTRODUCTORY ESSAY THE INFLUENCE OF THE TRAGEDIES OF SENECA UPON EARLY ENGLISH DRAMA To appreciate fully the nature and the extent of the influence of Seneca upon English tragedy in the days of Shakespeare and his immediate predecessors, we must bear in mind that the public theaters were not the only places at which plays were then produced. At the universities, at the inns of court (which may be roughly described as combinations of a law school and a very exclusive social club), and at the Court itself plays were an important feature of almost every festival. Even those of us who know these facts are very likely to fail to realize the full meaning of them. We are likely to regard the non-professional performances as having no more significance for the history of the drama than amateur performances at the present day by dramatic clubs and college societies. We are apt to forget that, in the spacious days of great Elizabeth, learning, espe